Macbeth with the Gewandhausorchester Leipzig

The Telegraph

“Beyond the sheer aural bliss, there were endless subtleties to savour, some to do with purely musical things like the shaping of a phrase, others with the amazingly vivid pictorial and storytelling aspects of Strauss’s music. Thanks to Nelsons’ exuberantly dramatic shaping of the narrative in Macbeth, it was easy to follow its twists and turns, right down to the evil hoarseness in Lady Macbeth’s voice as she counters her husband’s vacillation.“

Next & Prev.

Mal so richtig den Strauss rauslassen

Hamburger Abendblatt Zwei Konzerte mit Andris Nelsons, dem Gewandhausorchester Leipzig und Pianist Rudolf Buchbinder in der Elbphilharmonie Zunächst „Top Gun: Maverick“ auf der großen Kino-Leinwand, und direkt danach, fliegender ...