What makes Nelsons so lethally impressive here is the precision with which he addresses every accent, every ferocious sforzando. He is the most rhythmic of conductors. […] Be in no doubt that this is one of the finest performances that I have ever heard of this great piece (it must surely bid fair for ‘best in catalogue’) and to say that it augurs well for Nelsons’s future with the Boston Symphony is an understatement and then some.“

*Editor’s Choice*